Alexa Lane | Motivational Speaker and Author
Spirituality and Natural Healing
If your child loves to move to music, enrolling them in a dance class seems like a great idea. However, with so many studios to choose from, it can be daunting to decide which studio is the best fit. Below are a few things to help you narrow your search.
Location
Obviously, choosing a studio close to your home is helpful, especially if your child would like to take more than one dance class per week. If there is more than one dance studio in your neighborhood, how do you know which would be the best fit for your child?
A few questions to ask are:
Professional versus Recreational track
Children who are interested in pursuing dance professionally will need to dance several days per week. This requires a financial and time commitment from parents. To give you an idea, as a former professional dancer, by the time I was in high school, I took 13+ classes per week.
However, if your child wants to learn to dance for fun and fitness, once a week is fine. As I mentioned in other articles, dance has many benefits including physical/mental well-being, creative/self-expression, body positivity, and helps develop healthy lifestyle choices.
Competitive versus Non-competitive Environment
Dance competitions are very popular and I do believe there is a healthy way for children to participate in competitive dance. I competed as a child and have also judged dance competitions. I have also seen the best and the worst of the dance competition world. Stay tuned for my blog on Dance Competitions.
Here is my advice for competitive dance parents:
Most studios offer a non-competitive, recreational dance track. The key here is to find the right class and teacher for your child. Sometimes studios put inexperienced teachers on these classes. My advice is to make sure the studio has a professionally trained teacher on all classes, regardless of the track. A non-competitive environment suits many sensitive, young artists and creates a space where all children can thrive.
Instructors
When looking for a dance instructor, education, experience, and training are essential ingredients. Things to look for are certifications from accredited dance programs, college degrees, and professional dance experience. Theatrical unions, such as Actors’ Equity Association and SAG-AFTRA demonstrate that the instructor has performed in professional venues.
Performance Opportunities
Most studios offer performance opportunities such as dance recitals, competition teams as mentioned above, and showcases. Two things to consider are time and money. Performances require additional rehearsals for the children as well as costume fees and new dance shoes. I know some parents do not want to participate in performances, so for many reasons, it’s optional at my studio.
Recently, I received a YouTube question regarding how to correct the injuries associated with arabesque. I am posting my response here as well.
I think, unfortunately, the problems associated with arabesque are not so much a correction issue, but rather an overuse injury. The movements needed to execute arabesque are not therapeutic in nature. Therefore, we need to cross train to alleviate some of the negative impact of the movement. The same problems occur with the Yoga pose called “Dancer/Natarajasana.”
What I would suggest to counteract the repetitive wear and tear of performing an arabesque would be to stretch and strengthen the opposing muscle groups.
To execute the arabesque we must extend the trunk at the spinal joints, anteriorly tilt the pelvis, externally rotate the thigh at the hip joint, and rotate the trunk at the spinal joints.
Rotation of the trunk, especially combined with posterior or anterior tilt can cause irritation to spinal discs. Therefore, if you are in acute pain avoid rotation of the spine.
Here are some exercises you may try to stretch and strengthen these areas.
• My first suggestion is to take a break from turn out and work in parallel sometimes. For instance, practice arabesque in a parallel position with a long back. This position elongates and strengthens the muscles of the trunk. Warrior Three Pose
• Lie on your back and bring the knees to the chest. This puts the spine in a posterior tilt and stretches the lower back. Apanasana Pose
• To stretch the external rotators of the thigh/hip, in the same back lying position place your right foot on your left knee, grab the back of your left thigh, and gently pull the left leg back toward your chest. Eye of The Needle Pose
• Strengthening the back extensor muscles can help. Simply lie in a prone position and gently lift the chest off the ground. Cobra Pose
• Strengthening and stabilizing the abdominal muscles will also help. The Dying Bug and Sunbird exercises work well for abdominal strengthening and spinal stabilization.
For more therapeutic stretches see my book Yoga Practice Essentials
I hope that helps!
Joshin Kokyu-Ho: Reiki Cleansing Breath:
The translation in English is “the breathing method for cleansing the spirit.”
The Reiki Shower Technique:
Kenyoku-ho: Dry Bathing
*(In Japan the there is a superstition regarding the number four, which is the same word for death. Based on this reason, the exercise is performed 3 times.)
Hatsurei-ho Technique
This technique combines three separate practices called kenyoku-ho (dry bathing), joshin kokyu-ho, and seishin toitsu.
Sit comfortably in a seated position with your spine erect and palms facing downwards on your thighs. Close your eyes and focus on the tanden point below your navel. Breathe deeply. Affirm you are beginning Hatsurei-ho.
With your hands in the Gassho position, breathe calmly through your nose, breathe in the Reiki energy, and let Reiki heal your whole being. You may keep your eyes open or closed.
Next, focus your breath and energy on your hands and visualize Reiki flowing into your heart chakra. Let the Reiki circulate throughout your body and energetic field. You may visualize Reiki as white light energy. As you exhale, visualize Reiki energy healing all living beings, the planet, and the universe.
Optional:
Traditionally, Miko Usui would have students recite the five Reiki principles.
To finish, place your hands on your thighs and affirm that Hatsurei-ho is complete.
The founder of Reiki is Mikao Usui. He was born on August 15, 1865, in Taniai, a village in the district of Gifu prefecture. Most of the information written about him is on the memorial stone erected by his students in 1927. The authors of the Usui Memorial are Juzaburo Ushida and Masayuki Okada.
A summary of his biography:
Dr. Chujiro Hayashi was born in Tokyo on September 15, 1880. He was a medical doctor and a Japanese Navy officer. He developed Reiki techniques utilizing his knowledge of medicine and further developed hands-on healing techniques. Later, he opened a school and clinic. In time, he trained a Japanese American woman named Hawayo Takata, awarding her a certificate in Reiki Mastership. He helped her start a Reiki practice in Hawaii.
Hawayo Takata was born on December 24, 1900, in Hawaii. She discovered Dr. Hayashi’s clinic while visiting her family in Japan. During her visit, she became ill and received treatment at Dr. Hayashi’s Reiki clinic to avoid surgery. The Reiki treatments provided healing for her illness. She subsequently convinced Dr. Hayashi to train her in Reiki. After receiving her Reiki Master training from Dr. Hayashi, she established a Reiki practice in Hawaii. Hawayo Takata trained 22 Reiki masters before she passed away in 1980. She and Dr. Hayashi had a significant impact on the practice of Reiki in the West.